Sappunu oru kadhal!

I watched SOK (sillunu oru kadhal), the day it got released, of course too expectant for a cool romance after so much of bloodletting by dada and gangster heroes in recent tamil films. The whole movie was way too dry, no jillu at all, in fact hot after the intermission, Damn it! they switched off the ac at Sangam (Probably they didn't see the need for ac when they were showing such a jill movie).

The film started on a promising note with Jo and her friends, who are totally against arranged marriage, planning to fall in love. I expected some interesting tussle between Jo and Surya, who get forcibly married to each other. But the director decides to play God and ignores my wishes; cut from the marriage scene to Mumbai, 6 years later, we see Jo and Surya along with their cute daughter happily whistling to each other busily right in the morning when the neighbours are tensely fighting on their way to their offices. How else on earth can you make the dumb audience understand that Jo and Surya are a happy family! On the way back home from office, in the metro, a gal just droools over Surya with Jo listening nearby. No comments. The director has had the good intentions of showing a happy family, but he overdoes it. Being the genius that I am, I devised a plan to deal with the boredom; I started counting the number of times Surya calls Jo as jillu. God! all the 18 years of my education proved to be of no help and I lost the count. Probably that explains the reason behind the title of the film - Jillunu oru kadhal, later changed to sillunu oru kadhal, thanks to tax cuts for tamil names (i think it is high time we had reservation and incentives for people with proper tamil names!) and a quick economic thinking.

Enakku oru unmai therinjaaganum saami... which girl in her right senses would do what Jo did in the film after reading Surya's diary? For just one sentence which was uttered by Surya in intense pain from the loss of his beloved? Isn't the six years of marriage supposed to have made Surya more mature? Is it like Mudhalvan and Azhagi repackaged?

With a good looking Surya and Bhoomika, we expect their love life in college to be really interesting. Something Mani Ratnam ishtyle. Never mind... that man is God. All that we get after so much promise of something like Kartik's performance in Mouna Ragam and Varusham 16 is just a beer drinking, rowdy Surya, whom Bhoomika falls for, when she had no reason to do so. Given the volume of beer that Surya gulps down in the movie, he is sure to lose quite a few moms and grandmas from his fanbase. Most often, you feel like you are watching the puppy love of a couple of school kids in their infatuation. In fact, school kids might kill me for saying that, as they woo their targets in much more style these days.

Krishna could have saved some time spent on choosing the wardrobe and spent it wisely on pepping up the movie with some interesting scenes. Santanam was the only relief. Especially, the "kaalaila antha tea kadaila vada saaptaen machi, paruppu ozhunga vegave illa" was too good.
Another one:
Surya: " enna vaandhi eduthuttanaa?"
Santanam: "illa ATM la irunthu panam edutha"

Vadivelu's comedy, if it can be called that, was too drab and did not even bring a smile. Contrastingly, the theatre was roaring with laughter towards the end when Jo wakes up from her nightmare - imagining Surya and a ravishing Bhoomika hitting the bed.

Some good music from ARR and a brilliant cinematography by RD Rajasekar would make sure that the songs especially Munbe vaa and New York nagaram very well become part of our lives for next few months. However, my personal favs are the jazzy title song and maja maja.

In the end, all that matters is money, no matter what jobless people like me who go and watch the film on the first day, feel and say. SOK is gonna see 100 days for sure!!! Wedding gift to Surya and Jo from the loving people of tamil fraternity!!!

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